Starry nights: the evolution of our tent

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A single light that's visible, but hazy amidst a night sky.
Starry nights in Edinburgh, by Wasi Daniju

We were tired of waiting for justice or care, tired of having to face interconnected brutalities alone. For me – and I think for all of us – GEM was about creating a home where we could speak from our bodies, and tend to the wounds that we are told to forget/minimise. We started by trying to pitch our own tent, build our own home that we could take comfort in and be protected within (at least a little).

But we were trying to build and carry another structure while everyone has also been trying to survive multiple apocalypses. We began to notice a familiar pattern: GEM kept getting bottlenecked around a few people, who were then trying to hold everyone together, to smooth over any cracks, and build the foundation for a collective context. And this is heavy, knotted work: there are so many different pains, spikes and heartaches that can and did rub up against one another. Since we hadn’t learned how to move as a collective, we fell back into the carelessness that informs the world we live in. We began reproducing another tent/home structure that allows for gendered and racialised labour to remain in place and unchecked (and Audre Lorde already told us: the Masters tools could never dismantle the Masters house). We cannot keep asking ourselves to do more, push for more, even as we’re feeling our bodies breaking under the pressure of racial capitalism.

So then Wasi asked: what if we let go of the tent, to make sure that no one has to hold up more than they can bear? At first, this idea terrified me: it requires us to believe in the possibility of us resting within our wider world. Yet at the same time, we are painfully aware of the breathtaking cruelty that this world can show to those of us positioned as acceptable collateral damage. And for me personally – given how fragile my health has felt lately – it still hasn’t felt safe to see anyone other than my immediate family. Honestly, I’m still reeling from witnessing so many people default to (state-sanctioned) carelessness over any kind of collective responsibility during multiple crises. It felt (and feels) near impossible to imagine comfort and ease outside in the open, with no walls to try and shield us from the brutalities that we’ve had to face for too long.

But as we began learning how to speak and feel into our embodied truths, another way of being started to seem possible. What happens when we let go of the comfort found in structures that have already been tried and failed? Instead of building more borders, what would it mean to create conditions for all of us (within and beyond the collective) to be able to rest out in the open, underneath the stars? How might we tend to ourselves and each other in the midst of all this horror?

A flash of light in the corner of the image, with faint outlines visible in an early morning sky, just before the sun returns.

And as we committed ourselves to figuring out how to take up space on our own embodied terms, we realised that resting out in the open gave us the opportunity to see the beauty of the stars, skies and earth that surround us. That’s when Suhaiymah remembered the words of a yoga instructor; at the end of a session, students were encouraged to lay down and feel the earth rise to cradle them… So we expanded from there and began to think about how we also might feel the earth rise to cradle and tend to us.

There’s so much in the earth, in terms of life, but also all of the different layers that cannot be seen or fully known. The earth holds the inequities of our current reality, including the many who have died “quicker” under the brutal functioning of racial capitalism. For me, I know that I’m living under a constant fear of soon disappearing into the underside of the earth. But I can’t keep running on that fear: while I’m here, I choose to tend to my presence by speaking and feeling through the inequities and histories that we are all so intimately connected to.

 

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Christina Sharpe was once writing about how the Black people who were thrown off boats or jumped during the trans-Atlantic slave trade: their bodies would have never made it to the bottom of the ocean, they would have become a part of the life cycles of the different organisms in the water, as well as becoming of the water. And water moves, right? So for me, it’s been vital to think about how in our rivers, showers, everything, these histories are still with us… washing over us.

And I want to learn how to move with these waters as well. We are not static beings, bordered into any one corner of the world. In letting go of our one solitary tent/house structure, we’re looking out and tending to the connections that we have to all that flows around us and through us. This is the expansiveness of our collective dreams.

So that’s what I’m dreaming and working towards now: how can we imagine the earth tending to us while we also tend to the earth.. While also insisting on our right to rest. Who knows where this will go. But I feel ready for this, for us.

 

 

Works cited:

Daniju, W. (2019) Starry nights in Edinburgh photo series

Lorde, A. (1984). Sister Outsider: essays and speeches, California, The Crossing Press.

Sharpe, C. (2016). In the Wake: On Blackness and Being, Durham, Duke University Press.

 

This Post Has One Comment

  1. F

    Powerful, poignant, necessary.

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